The Road Subtitles English

Thanks to the English subtitling available on YouTube, you can now access some of the finest Greek films of the last quarter-century from any of your media devices. Below is a list that includes a road-trip comedy, a murder mystery, a romantic drama, and two films that throw light on 20th-century Greek history; these movies will help you understand a bit more about Greeks and Greece through the stories they present. Enjoy!

The Road subtitles English

Forced subtitles are a type of burned-in-text used to provide clarification on the plot or details of a video. Also known as forced narrative subtitles or forced captions, they provide the viewer with further information such as a translation of speech or signs or explanations regarding symbols, flags, slang words, texted graphics, etc.

Alongside translating the text on visuals, forced subtitles can give more details about certain visuals on-screen, such as expanding on details when IDs or other labels are shown, or providing explanations of characters of settings that are not conveyed through dialogue.

Forced narrative subtitles are an integral part of the modern viewing experience, allowing a viewer to completely understand and enjoy video content. They provide an additional layer of information that helps all users remain connected with the plot of the production, even when things are not explained through dialogue or if characters are speaking in a foreign language. By using forced subtitles, you can ensure that a wide audience is able to engage with your video content.

Languages Available in: The download links above has The Roadsubtitles in Arabic, Bengali, Big 5 Code, Brazillian Portuguese, Chinese Bg Code, Croatian, Czech, Danish, Dutch, English, Farsi Persian, Finnish, French, German, Greek, Hebrew, Hungarian, Icelandic, Indonesian, Italian, Japanese, Korean, Macedonian, Malay, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Spanish, Swedish, Thai, Turkish, Vietnamese Languages.

Correspondence education service Z-Kai released "Cross Road," a television commercial directed by anime director Makoto Shinkai (The Garden of Words, Children Who Chase Lost Voices), on Tuesday. The project debuted on television, YouTube, and Niconico in 120-, 30-, and 15-second versions on the same day. The YouTube streams have English subtitles that can turned on in the Closed Captions (CC) menu.

With artists and scientists, bicycle activists and car lovers we will perform across the city in September 2019. We will cruise the streets in self-driving concept cars, build bicycles from cars, create autonomous regions, compose the sound of silence and fetch the stars from the sky. Wunder der Prärie 2019 is dedicated to the connection between technology and society, how the car industry has shaped our culture and how a new culture must shape the industry of the future. Together with the Heinrich Böll Foundation Baden-Württemberg, SWR and the Mannheim public, we will discuss the cultural aspects of the mobility turnaround on four evenings. And because we no longer just want to stand on the sidelines while others are planning our future, we will build our own means of transport, redesign the roads and make our own demands. Because autonomy means doing it yourself!

We are now traveling by bus along one of the world's old roads. The moon is close to full. The potholed pavement winds laboriously north to Mandalay, skirting canals, crossing railroad tracks, threading between stately rows of trees in the countryside and close, low, candlelit thatched dwellings in the villages.

At 1 a.m., numerous people are walking south, sharing the road with pony carts, bullock carts, and bicycles. Women carry bundles of firewood on their heads. We pass flooded rice paddies and the grass huts of their keepers.

Ann and I leave the bus, which has no bathroom, for a pit stop around 2 a.m. The air is cooler than Bangkok could ever be. Already this road meets our need to travel to less-discovered places. We soak up sights, sounds, and smells, hungry for the details that bring to life a people and a country.

We pass distant pagodas lit up gold at night, and roadside pagodas inlaid with tiny mirrors that catch and reflect our headlights. We pass mosques and churches, including one with a neon green cross. We stop often to fill our radiator with water from the canal. As the night starts to lift and recede, great flocks of large white birds wheel over the rice paddies.

The monks on our bus are not young. Through the night they watch the movie "Judge Dredd" with some interest, followed by "Waterworld." The movies are shown in English with - inexplicably - English subtitles, on a small screen behind the driver's head. The ride is 388 miles, accomplished in 16 hours.

Moving again we pass large trucks carrying old-growth forests - teak logs - to market in Mandalay. We pass a woman carrying two water buckets hung from a pole across her shoulders. She walks with a quick running step to keep the water from spilling onto the road. We pass ancient tractors and a small boy asleep on the tailgate of a truck piled high with bamboo poles. Four people on a bicycle. Live chickens in bamboo baskets. Girls with large creamy circles of sandalwood decorating their cheeks. Everyone wearing longyi.

For many Westerners the road to Mandalay begins in Bangkok. There we were told that if we wanted to see Bangkok as it once might have looked - a river city, a capital city, a revered city - we must go to Rangoon, whose new name is Yangon, in Burma, whose name is now Myanmar.

Traveling the road to Mandalay I felt myself on a river running backward. From the moment we landed in Burma, time had begun to reverse itself, and with every northward kilometer we lost more of what we facilely call the modern world. I was happy to lose it, and to leave behind the demands of its frantic pace, its materialism, and most of all its violence.

On the outskirts of Mandalay we passed men and women laboring to improve the road. A woman stood in the smoke of her fire, heating tar in a 50-gallon drum. This was the new road in the making. She'd built her fire under one of the trees that lined the road, and its magnificent canopy shaded her from the growing heat of the day. When progress finds this place, these beautiful old trees will be the first to go. Their shade will be sacrificed for wider, faster, and more efficient travel. Air-conditioned vehicles will prevail. Progress takes no prisoners. It is not sentimental. This woman will not stand here much longer.

SON OF SAUL In the Auschwitz-Birkenau death camp, a man forced to work in the crematoriums is determined to get a proper religious burial for the body of a boy whom he's taken as his son. This year's Oscar winner for best foreign-language film; in Hungarian and many other European languages, with English subtitles. (R; violent content, nudity)

The legendary retelling of the Orpheus/Eurydice myth during the Rio de Janiero's colourful and raucous Carnival, with music by Antonio Carlos Jobim that launched the worldwide bossa nova craze. Portugese with English subtitles.

One of master surrealist Luis Buñuel's last films to be made in Mexico - after directing twenty years of potboilers and romances - was the sublime The Exterminating Angel. A tale of dinner guests who can't leave the party and revert back to barbaric behaviour, it's a film of sly grace and savage wit. Spanish with English subtitles.

A travelling troupe experiences the real Brazil on tour far from the cities while juggling domestic trials and tribulations in this vibrant and entertaining quasi-musical comedy-drama. Portugese with English subtitles.

Guillermo del Toro, Mexico, 1993, 92 minutes. Before his international breakthrough Pan's Labyrinth, Mexican filmmaker Guillermo del Toro directed this off-beat and utterly original sci-fi flick about an elderly antiques dealer who accidentally activates a device that grants eternal life. Spanish with English subtitles.

A road trip for two teenage guys with raging horomones and an older, wiser and more experienced woman turns out to be a funny, sexy and surprisingly illuminating journey into the contemporary state of Latin America's soul. Spanish with English subtitles.

Walter Salles, Argentina/Chile/Cuba/USA/Peru/UK/Germany/France, 2003, 128 minutes. Gael Garcia Bernal plays the young Che Guevara on an eye-opening trip through the stunning poverty and geographical wonders of South America before he became a revolutionary. Tender, revealing and for some, a revelation. Spanish with English subtitles. 041b061a72